Image for Plastic with a past: traceable pots made from reclaimed fishing nets


Plastic with a past: traceable pots made from reclaimed fishing nets


Discarded fishing gear is getting a second life as elegant, origami-inspired planters – thanks to a Glasgow-based startup transforming ocean waste into smart design

Discarded fishing gear is getting a second life as elegant, origami-inspired planters – thanks to a Glasgow-based startup transforming ocean waste into smart design

A Scottish startup wants to turn the tide on ghost gear by crafting striking geometric plant pots from plastic recovered from discarded fishing nets.

The founders of POTR reckon their ‘ocean pots’ are the world’s first planters made from traceable marine plastic. Each carries a scannable QR code linking to data that reveals when and where the ghost net was recovered.

“Traceability makes it real for people,” said POTR founder Andrew Flynn, a lecturer at The Glasgow School of Art. “The more transparent the journey, the more it sparks conversations and makes people realise they can be part of the solution.”

The Glasgow-based company has reeled in a UK supply chain, with fishing nets recovered and shredded by Cornish marine waste specialists, Waterhaul. Reclaimed plastic is pelletised, pressed into sheets and finally die cut in Edinburgh.

One study by Defra found that the fishing and aquaculture industry in Scotland and England generates around 6,000 tonnes of plastic waste a year, much of it ending up adrift in our seas, or choking shorelines. 

Every tonne of recovered plastic yields 5,000 ocean pots, and POTR is donating 4 per cent of profits to cleanup efforts. The pots’ origami-inspired design means they can be flatpacked for shipping, slashing transport costs by 100 times, say the team.

Flynn said he was spurred into action after witnessing the detritus strangling Scotland’s west coast.

Waterhaul co-founder Harry Dennis added: “Ghost gear is the most damaging form of plastic in the sea. Working with POTR means we can take that material and turn it into something useful, something beautiful, something people want in their homes.”

Main image: Kirsty Anderson

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